komplexify!

05.29.2009

[ ]

You should go see this movie as soon as you figure out what it is.

Today the family and I went to see [     ], which seemed like a good way to end movie week.  I was initially [     ]set to find out how much it cost (when did the price of everything go way [     ]?), and the fact that the projector broke just as the movie started [     ].  Eventually some staff flunkie got the thing [     ] and running, and it took only the first ten minutes of the movie to cheer me [     ].  The animation is s[     ]erb, the gags cracked me [     ], and the story was touching and [     ]lifting.  I give it two thumbs way [     ].

Filed under: Reel life

05.28.2009

Matrix algebra

A-1 M A

(This post is best read using your “movie trailer guy” voice.)

Almost a decade after The Matrix… comes Wanted.

It’s the story of an insignificant man working his life away in a windowless cubicle in faceless corporation.  Constantly berated by his boss and having no real friends, he searches for something meaningful in life.  His life suddenly changes when he narrowly avoids death at the hands of a gun-toting assassin with the help of a hot babe with a fondness for PCV dresses and semiautomatic weapons.  She takes a dank secret lair, where he meets an enigmatic black man who pontificates on the nature of reality and dreams before telling him that he has the power to affect the fate of all mankind.

He learns to fight through a series of battle montages, where he finds he has the superhuman abilities to jump across buildings and bend the paths of bullets in midair.  He makes new allies in his fight, including a black dude, a blonde, and a creepy mouse guy.  Eventually our hero learns that the universe around him is encoded in the language of 0s and 1s through machines, and that it is his role alone to save humanity from the forces of evil.

But he is betrayed…

Betrayed by someone he trusted, who uses the machines in his favor, and this deception kills most of our hero’s allies, leading him to wage a one-man battle for redemption.   So he fights!  He takes on a lobby full of well-armed assassins, and kills them all!  He shoots at bad guys through office windows!  He fights at a train station!

Yes, it’s the action-packed tale of an ordinary man who becomes an extraordinary hero, with lots of  slow-motion battle sequences and everything filmed through a green filter.

If you see only one version of The Matrix this decade, make it Wanted.

It’s just like the Matrix,* but with word “fuck” every two minutes.

Actually, on second thought, go see The Matrix again.

* In all fairness, Wanted is a little different than The Matrix.  For example, in the Matrix, the secret nature of the universe is encoded in the lines of a massive, immersive computer program created by sentient artificial intelligence in the far future.  In Wanted, the secrets of the universe are revealed by a haunted sewing machine. Really.

I think that says about all there needs to be said.

M-1

Just finished watching the remake of The Day the Earth Stood Still.  In it, Keanu Reeves plays a super-powered being who descends to earth from the sky, sheds his powers to become more and more human-like while teeming up with a intelligent machine to wipe human beings off the face of the earth, before disappearing into obscurity while a cute chick watches his every move.

It’s kind of like watching The Matrix backwards.

Filed under: Reel life

05.27.2009

Live long and prosper by using the Force

It is well known that there are certain topics for which a person can really and truly like only one: Elvis versus the Beatles;  Ginger versus Mary Ann;  Coke versus Pepsi; Jessica Biel versus Jessica Alba; and so on.

And, of course, Star Trek versus Star Wars.

So I thought it was odd when on a recent commercial for the new Star Trek reboot the announcer praises it by saying “It’s this generation’s Star Wars!” since this can only be interpreted as an insult by either type of fan.

For Star Woids,* this asserts that this generation’s Star Wars is, in fact, not “this generation’s Star Wars.”

For Trekkies,  this asserts that the standard by which Star Trek should be measured is Star Wars, which as I understand it, is a heresy punishable by setting phasers to castrate.

* On a related note, while the expression Trekkie is pretty well establish for Star Trek fanboys (it’s even in the Oxford Dictionary, for Pete’s sake!), I wasn’t quite sure what the corresponding term for Star Wars fanboys.  A quick Google search suggested there was no commonly accepted term, although there was one particular response to this query that I found especially amusing:

Q: If Star Trek fans are Trekkies, what are Star Wars fans called.

A: I thought they were called “nerds.”

Clearly a Trekkie.

In the interest of fairness, let’s counterbalance a Star Wars insult with a Star Trek one: bye-bye Enterprise!

http://komplexify.com/images/2009/StarWarsWIN.png

Filed under: Reel life

05.26.2009

Festival of shorts

If you watch the movie Jaws backwards, it’s about a shark that keeps throwing up people until they have to open a beach.

(I got this from a reddit thread.)

The movie Superman Returns has been on FX a lot lately, but we always seem to catch it near the end of the movie, when Superman is being beaten up by kryptonite and Lex Luthor.  This is actually the Ladybug’s only exposure to the Man of Steel, which is amusing, because if you ask her about Superman, she just says, “Oh, he’s that guy who gets hurt and falls down a lot.”

Speaking of, one of the guys in Superman Returns is James Marsden, an actor I absolutely feel sorry for.  His filmography includes

  • Superman Returns, where he plays Richard White — the guy who loses his girl Kate Bosworth to Superman.
  • X-Men and X-Men 2, where he plays Cyclops — the guy who loses his girl Famke Jansen to Wolverine… and then gets killed by her in X-Men 3.
  • The Notebook, where he plays Lon Hammond Jr — the guy who loses his girl Rachel McAdams to Ryan Gosling.
  • Enchanted, where he plays Prince Edward — the guy who loses his girl Amy Adams to Patrick Dempsey.

According to the IMDB, he’s just wrapped up a movie called Nailed, and for the sake of his future typecasting, I sure hope that’s all that happens to him in it.

In the movie Jurassic Park 2, brilliant and famous choatician Ian Malcolm spends time insulting Peter Ludlow after the umpteenth dinosaur attack.  He says “When you try to sound like (your uncle), it comes off as a hustle.  I mean, it’s not your fault.  They say talent skips a generation, so I’m sure your kids will be sharp as tacks.”

Of course, Ian is walking hand-in-hand with his daughter when he says that.  What a dick.

Filed under: Ladybuggin', Quickies, Reel life

05.25.2009

Night at the Mathemuseum

For Memorial Day, we decided to treat the Ladybug to a movie at the local movieplex, and being there reminded me of a bunch of movie-related posts I’ve been meaning to make, which I’ll do throughout the week.

To kick it off, let’s begin with the movie we actually saw.  We took the Ladybug to go see Night at the Museum 2, which was surprisingly entertaining, in that I was able to sit through all 105 minutes of its runtime despite the presence of Ben Stiller onscreen for almost all of them.

In fact, my only major gripe with this movie is mathematical.  The plot (such as it is) involves an evil pharaoh who needs to discover a secret combination to push into an enchanted tablet to unleash unspeakable power.  Or something; it doesn’t matter.   What ends up happening is the following:

  1. The numeric combination is “the secret at the base of the pyramids,” which is immediately identified by Amelia Earhart as π
  2. Albert Einstein then states that π is “3.14159265, to be exact.”
  3. The evil pharaoh then pushes this into the tablet, which consists of a 3×3 grid of squares, as if it were a giant telephone pad.

What?

Now granted, a movie built around sentient statues, undead dinosaurs, bird-headed Egyptian gods, and a surprisingly flight-worthy Wright flier is clearly not striving for any kind of scientific or quantitative realism, but that’s not the bit that bugged me.

No, these things offended my sense of mathematical aesthetics and history, and in the spirit of mathematical edification, I’ll tell you why, point by point.

Point 1: π is not encoded in the Great Pyramid.  This idea is based on the new-agy notion that the Egyptians encoded their knowledge of transcendental numbers such as π or the golden ratio in the dimensions of the Great Pyramid of Cheops.  Specifically, π is supposedly approximated by twice the ratio of the base of the pyramid to its height.

However, there’s no bit of mathematical history to support this as being anything other than coincidental. In fact, most archeological evidence indicates that the Egyptians were relatively unconcerned with the value we nowadays know as π.  For example, the process by which Egyptians computed the area of a circle, for example, is not to take the radius squared and multiply it by some constant; rather, Egyptian surveyors were instructed to instead first subtract from the diameter of the circle 1/9th the length of the diameter, and then to multiply that value by itself.   In fact, this process is equivalent to approximating the area of a circle by the area of a square whose side length is 8/9 the diameter of the circle, which would mean that ancient Egyptians were more or less approximating π by the value 256/81, which is roughly 3.16, not 3.14.

The Great Pyramid mumbo-jumbo itself became popular only in the early 1920s (which would at least explain why Amelia Earhart was so quick to know it), and it’s largely due to the predictions of bone fide psychic/crank Edgar Cayce, who connected the “divine proportions” of the ancient Egyptians with, among other things, the re-emergence of the lost city of Atlantis.  In fact, several of his followers (who quickly became known to Egyptologists as pyramidiots) were so taken with proving Cayce correct that they were actually caught gently filing down corners of the Great pyramid to make the approximations that much more accurate.

Point 2: π is not exactly 3.14159265.  That’s a really accurate approximation, but that’s all it is.  The number π is irrational (transcendental, even), so it cannot be written exactly as any finite decimal number, no matter how long.

What’s worse — Albert Einstein would have known better.  For shame.

Point 3: No Egyptian would understand “3.14159265.” Even assuming that ancient Egyptians did treat the number π with any special reverence — and given that their standard approximation of it is only accurate to one decimal place, this is highly unlikely! —  they still wouldn’t work with something like 3.14159265.  The reason why is two fold.

First, even though the ancient Egyptians used a base-10 number system like we do now, they didn’t use a positional number system.  To explain: expressing a number like one-hundred twenty-five as “125″ assumes you’re using a positional number system:the order in which the digits appear is just as important has the digits themselves.  Just think about it: even through 125 and 251 and 152 and 521 all have the same digits (namely 1, 2, and 5), they all represent very different numbers.  However, standard Egyptian hieroglyphic numbering was not positional, it was additive: it consisted of a special symbol for each of the numbers 1, 10, 100, 100, etc., and then used multiple copies of each symbol to construct a number.  For example, to write 125 in hieroglyphics, an Egyptian scribe could write

which consists of five | symbols (each meaning 1), two arches (each representing 10) and a single spiral (representing 100).  The order is immaterial — each of the following values still represent 125:

Mathematical history buffs might point out that high priests and other top-tier ancient Egyptians did not use hieroglyphics for their day-to-day recording and calculations involving numbers.  They used an abbreviated shorthand called hieratic script, but even this shorthand was an additive ciphered system — it had separate symbols for the numbers 1, 2, …,  9, then another set for 10, 20, …, 90, and then another set for 100, 200, …, 900, and so on.  For example, to write 125, a scribe would only need to write the symbol for 100, 20, and 5, such as

But again, the order didn’t matter.  The symbol

still means the same thing.  By way of another comparison, the number 152 and 125 have the same digits but refer to different numbers — their relative position is what determines this.  In contrast, in hieratic the number 152 uses a completely different set of symbols that 125:

An expression like 3.14159265 assumes a positional numbering system, and that’s just something the Egyptians didn’t work with.

That brings me to the second reason why Egyptians wouldn’t work with something like 3.14159265.  Even assuming they were to understand that this meant the value found by dividing 314159265 by 100000000, they never would have expressed the answer as the single fraction 314159265/100000000.

The single most defining aspect of the Egyptian number system is its reliance on unit fractions.  To describe any quantity less than 1, Egyptians always and invariably expressed it as a sum of fractions of the form 1/n, so-called “unit” fractions.  For example, an ancient Egyptian would never talk about the fraction 2/5, they would instead say that 5 into 2 yields 1/3 + 1/15; they’d never talk about 2/89, but rather 1/60 + 1/356 + 1/534 + 1/890.  Hell, even though the Egyptians treated π as 256/81, they never would have thought to express it that way; instead, it would have been written as 3 + 1/7 + 1/57 + 1/10773. I have no idea how the Egyptians would have expressed this more accurate approximation of 3.14159265, but it would not be as a decimal; it’d be something closer to 3 + 1/8 + 1/61 + 1/5020.

So go and enjoy the show… and be better informed, too!

Filed under: Math musings, Observations, Reel life
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